Showing posts with label Jo Grant. Show all posts
Showing posts with label Jo Grant. Show all posts

Tuesday, May 27, 2014

4-c. Lost in the Wakefield Triangle.

CD cover for Short Trips, volume 4.

1 episode. Running Time: Approx. 17 minutes. Written by: Vin Marsden Hendrick. Directed by: Nicholas Briggs, Ken Bentley. Produced by: David Richardson.


THE PLOT:

When the Doctor and Jo stop by the farm of Brian Forest and his wife, Claire, their only purpose is to buy some rhubarb. The Doctor is immediately mistaken for a medical doctor and taken to the desperately ill Martin Chisom, Claire's brother.

Martin was found unconscious in the forcing shed that morning, and the Doctor determines that he's suffering from an overdose of oxalic acid - essentially, rhubarb poisoning. He and Brian discover that the shed is pitch black, a darkness that resists Brian's flashlight. And all around them, they can hear the popping of growing rhubarb, a sound that is closing in...


CHARACTERS:

The Doctor: He's taken aback when the farmer and his wife mistake him for a medical doctor. It's enough of a pause for the two to pick up on, but he presses them with questions before they have a chance to think about it. As usual, Katy Manning does a great job of capturing Jon Pertwee's vocal mannerisms, making it easy to envision the Third Doctor's absolute authority. In an amusing note, he attempts to fasten a piece of rhubarb to his lapel, only to dismiss the purple vegetable as "too garish." He apparently considered celery to be more suitable a couple of incarnations later.

Jo Grant: When Martin's sister tells them that he was found in the forcing shed, Jo's enthusiasm gets the better of her. She takes off straightaway to investigate, leaving the Doctor worried that she's gotten herself into trouble (again). When he catches up with her, she at least has the good grace to be sheepish about her disappearance.


THOUGHTS:

Lost in the Wakefield Triangle opens wonderfully. Its first scene, following Martin in the moments before he's attacked, is atmospheric and attention-getting. Martin is instantly relatable, and the steadily increasing tempo of the rhubarb pops create a decent amount of tension. Honestly, this would be a good start for a full-length story.

Vin Marsden Hendrick's writing is good throughout. There's a strong sense of place to the farm, and the interactions among the Doctor, Brian, and Claire are entertaining while quickly sketching in the basic personalities of both guest characters. The scene with the Doctor and Brian in the proving shed is builds an effective sense of danger as the rhubarb pops close in on them, mirroring the opening attack on Martin.

There's a minor gaffe in which it's mentioned that Martin was found because of the sound of his phone - unlikely, as consumer cell phones didn't really exist in the '70s. The other problem, much more significant for the story, is the usual one for Big Finish's early Short Trips: Time. After an outstanding start and a decent build-up, the end ends up being too rushed to truly satisfy. We don't even get confirmation of Martin's fate. We can assume that he'll be fine, but there's not so much as a single line to confirm as much.


OVERALL:

Excellent beginning, good middle, rushed conclusion. Lost in the Wakefield Triangle benefits from efficient-but-descriptive prose by writer Vin Marsden Hendrick, and Katy Manning does her usual, splendid job performing. The result is immediately engaging and quite entertaining. I just wish it had been a little bit longer, so that the ending could match the quality of the rest of it.


Overall Rating: 6/10.

Set after Terror of the Autons and before The Green Death.

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Saturday, November 5, 2011

3-c. Pop-Up.

CD cover for Doctor Who - Short Trips, Vol. 3

1 episode. Running Time: Approx. 16 minutes. Written by: Dave Curan. Directed by: Nicholas Briggs, Ken Bentley. Produced by: David Richardson. Performed by: Katy Manning.


THE PLOT:

After attending a peace conference, the Doctor is in a hurry to leave the asteroid Epsilon Gamma. Jo is confused by the rush - until she notices the flood of advertising everywhere, so pervasive that the TARDIS has been literally buried under billboards planted by Micro Server Robots.

The Doctor shoes the robots away... most of them, at least. Jo notices one with a crippled leg and, out of misplaced compassion, tucks it away in her pocket when they leave in the TARDIS. She is able to repair it, which leaves her quite pleased with herself.

Then the robot taps into the TARDIS systems and begins flooding the time/space vehicle with ads, leading the Doctor desperate to stop the promotional deluge!


CHARACTERS:

The Doctor: He has fond memories of Epsilon Gamma as it was before it was consumed by advertising. He abhors the current state of it, observing to Jo that people have long stopped paying attention to the ads, but that hasn't stopped the corporations. He reacts with weary disapproval to Jo's sympathy for the tiny robot, but he quickly gives up on trying to get her to see that the robot isn't alive and therefore can't be in pain. By this point, he's realized that he's not going to change her nature (nor does he particularly want to).

Jo Grant: When she notices the injured robot, she can't help herself from trying to rescue it, which leads to the entire situation in the story. We see again that underneath her surface ditziness, she's rather capable. She's able to repair the robot without any help in a matter of minutes. This time, that ends up not being such a good thing. Though the Doctor doesn't berate her for creating the mess, she feels enough sense of responsibility to take it on herself to organize afterwards.


THOUGHTS:

Like most of the early Big Finish Short Trips, Pop-Up is a trifle. Fortunately, it's a fun trifle.

Writer Dave Curan works within the 16-minute running time by keeping his structure simple and precise: The advertising robots are introduced creating minor mayhem by covering the TARDIS exterior with ads, setting up the larger mayhem created when one manages to tap into the interior systems. The Doctor tries to resolve the problem, only for the situation to keep escalating. It's small scale, but it works because there aren't any deviations. There's some minor and obvious commentary about pervasive advertising, but everything is here to advance the base story.

The piece benefits from a splendid reading by Katy Manning. As usual, she does an equally fine job of capturing the Third Doctor's voice and of recapturing her old, early 1970s performance as Jo. She's also extremely good with the advertising voices, putting on an inauthentically chirpy tone for the promos, which adds to the humor while at the same time conveying how annoying it would be to be stuck in the center of this.


OVERALL:

Pop-Up is a tiny diversion; but within that stricture, it's expertly turned. It's meticulously structured and benefits from an outstanding performance by Katy Manning - and it's also quite a bit of fun. A good listen, though it probably won't linger long in the mind afterwards.


Overall Rating: 7/10.

Set during: Season Ten

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